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level
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technique
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fingering |
chord prog. |
melody
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theory
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rhythm
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expression
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| 1.0 | |||||||||||||||||
| posture, attitude | reading tab | DAEAmEm songs | open names | read rhythm intro. | cres. & dimin. | ||||||||||||
| tune & adjust | chord diagrams | I pos. notes, 1-3 | duple vs. triple | guitar vol. control | |||||||||||||
| basic fretting | note names | BC and EF 1 fret | |||||||||||||||
| basic picking | one-finger chords | the staff and clefs | |||||||||||||||
| basic plucking | one finger blues | natural on staff | |||||||||||||||
| clear, 4 note/string | DAEAmEmG | ||||||||||||||||
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level
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technique
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fingering |
chord prog. |
melody
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rhythm
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expression
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| 1.1 | |||||||||||||||||
| basic strumming | two-finger chords | power chords | op Em lick noslur |
word games | repeats & beats |
p, mf, f, > | |||||||||||
| fretting pressure | first 19 chords | I pos. notes, 1-4 | numbered ending |
guitar tone control |
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| chord fret exercise | octave shapes | tertian cycle | count whole beats | ||||||||||||||
| open string pick | carry,retain,glide | tonic, root, CP, key | |||||||||||||||
| closed sphere | open chrom.& WT | ||||||||||||||||
| open Em & G pent | |||||||||||||||||
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level
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technique
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chord prog. |
melody
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| 1.2 | opG6/9 lick noslur |
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| alter.pick op. pent. | CGDAEAmEmDm |
CGDAEAmEmDm |
fret 5&10 names |
1234,134,124,13 |
pp, p. mf, f, ff | ||||||||||||
| fret. mute & roll |
open Am&C pent. |
nat. notes@string |
time signatures |
pickup selection | |||||||||||||
| slide |
playing in position | ET: 8va, P5, Ma,mi | halving: W,H,Q |
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| recoil | in-position chrom. |
I pos. notes, 1-5 | count half beats |
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| open sphere |
I&IIpos arpeggios | RW strum Ex.1 | |||||||||||||||
| half&whole steps |
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level
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technique
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fingering |
chord prog. |
melody
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theory
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rhythm
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expression
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| 1.3 | ||||||||||||||||||||
| pick fretted pent. |
archetypal chords | Op Blues in A & E |
opG licks w/slides |
I pos. nat. notes |
13of3; 12,14 of 4 |
staccato & legato |
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| FH mute 8 chords | B7, E7, A7 |
scale tone triads | op Em licks/slides |
games w/ ledger |
dotted half notes |
bass, mid, treble | ||||||||||||||
| 145, 1645 in GDA |
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| streamline stroke |
op & XII pent. F1 |
Am F1 123, 1234 | sharp, flat , nat |
int.l accent: 3 3 2 |
presence | |||||||||||||||
| float the PH wrist | pent. & triad fing. 1 | F1&2,3rd stg,3rdF | maj scale, 1 string | count 1&1/2 beats |
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| open pent. slurs | open pos. arps. |
RW strum Ex.2-3 | ||||||||||||||||||
| circular pressure |
3 string bar. blues | RW strum Ex.2-3 | ||||||||||||||||||
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level
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technique
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fingering |
chord prog. |
melody
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theory
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rhythm
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expression
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| 1.4 | ||||||||||||||||||
| economy picking |
D/F#, F |
Open Blues C, D |
F1&2,3rd stg,2ndF |
conson.,disson |
1,2,4of4 |
sf,sff,sfff , |
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| I pos. C ma, A Aeo | ||||||||||||||||||
| heel of hand mute |
first 35 chords | ped tone D major |
EmGAm lick/HPS |
dotted quarter | forzando | |||||||||||||
| hammer, pull off |
pent & triad fing.4 |
I IV V: GDAEmAm |
Op Em/G pent. | V&X pos.natural |
WN, HN, QN rests |
sforzato (sfz) |
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| fretting & muting | opEm7/11/chrom. |
VIm V IV of C | 1234 frag |
C MST3rds on5&4 | int. accent:333322 |
intro to reverb | ||||||||||||
| open pos. pivot | wide span/barre |
ornament op.chds | RW strum Ex.4 | |||||||||||||||
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technique
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fingering |
chord prog. |
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| 1.5 | ||||||||||||||||||
| blue note, bend 1 | C7, D7, G7 |
Open Blues in G |
F1&2,2nd stg,3rdF |
I pos. G ma, E Aeo |
QN bass /QN, EN |
marcato |
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| pent. HP ex. F1&4 |
op Am7/11/chrom. |
Am7 Dm7 Em7 |
F&Dm lick /slides |
ET: M3, m3, dim. |
ties |
intro to echo |
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| vibrato 240 NPM | pent. & triad fing.2 |
CMST op triad SW | Em7/11 m,b7, chr |
MS 1 string C,F,G | H,DH,Q sus& rest | intro to echo |
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| rhy. strum & pick |
1 NPS arpeggios |
ped tone A,4mode |
Am F4 123, 1234 | C MST triads 543 | rest 1 pulse/3 or4 |
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| T bass,indx strum | strict vertical pos. |
ped toneD,4mode |
II & VII pos.natural | int. accent:233332 | ||||||||||||||
| thumb fret posture | ||||||||||||||||||
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technique
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fingering |
chord prog. |
melody
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theory
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rhythm
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expression
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| side of hand mute |
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| 1.6 | |||||||||||||||||
| 19chords/4 barre |
first4 barre chords |
Em711, b3b7 blue | I pos. F ma D Aeo |
8 4-pulse RW/EN |
10 sentiments |
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| diagonal thirds |
quick2 fing chords |
MST op.triad P4 C |
Am7/11 m,b7,chro | 4&8 pos.nat.notes | 3 3-pulse RW/EN |
intro to chorus | |||||||||||
| pent.HP ex. F1,2,4 |
triad arp. ex. 1 & 2 | ped toneE-4mode |
20 Gm themes F1 |
count triplets |
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| econ. pick chrom. |
ACDEG 7th blues |
Am F2 123&1234 | int.accent: 333331 |
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| T bass,fing. pluck |
literal vs. implied | RW strum Ex.4-6 |
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| wide span, bend |
tied groups 4 8ths | ||||||||||||||||
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level
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technique
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fingering |
chord prog. |
melody
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theory
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rhythm
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expression
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| 1.7 | |||||||||||||||||
| trap mute w/ pick |
C&G form Mchord |
F MST SW triads |
Am711,b3b7 blue | I pos. D maB Aeo |
swing rhythm | express. intensity |
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| pent. HP exercise | MST on2&3/ped E | MST triadSWP4 G |
Dm m,b7,chrom. | I pos Bb maG Aeo |
1&2 of 3 |
intro to flange | |||||||||||
| 12th fret harm. |
MST on2&3/ped A | ADE Aeolian triad | m7/11 F1&4 licks |
RW strum Ex.7-8 |
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| 321 speed, 1 strg |
MST on2&3/ped D | DGA Dorian triad | tied 4 4-pulse/trip | ||||||||||||||
| Fpick linear arps | pent. & triad fing.3 | mixed minor triad | 1-2 pulse pickup |
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| pent. & triad fing.5 | 1 8th rest on beat | ||||||||||||||||
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